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It was definitely worth coming all the way from Texas to meet you! You've been an absolute blessing in my life. I've been cautioned about untrustworthy and money hungry presenter companies before, so I'm fortunate to have found you guys before going anywhere else.

Presenter Promotions is by far the finest presenter company for their dedication, professionalism and their unbeatable prices. I highly recommend using all of their services. Thank you for always helping me out, Colin! :-)
Sonia Uribe
Presenter, Broadcaster & Voice-over Artist

Since I attened the radio skills course with Presenter Promotions. I now have a much more professional sounding radio demo that has received very positve feed back (including "BBC Radio 2"), thank you Colin for help and advice over the years (I have known Colin for well over Ten years now, and I highly recommend his services to the Broadcasting Industry) - anyone serious about becoming a presenter should certianly check out Presenter promotions' as their first point of call, and take it from there.
Paul West

"Presenter Promotions offers a unique  contact service to Voice artists, with lots of personal opportunities for me. My Audio Demo produced by them has also been a passport to lots of work. Money well spent!"
Geoff Annis; freelance voice-over

I began working in the voice-over industry nearly ten years ago and got to know of Presenter Promotions soon afterwards. Their professional approach and attention to detail really impressed me. They are always prepared to take time with recordings, while offering sound advice in order that their clients are happy and satisfied with the results. Without their support and encouragement I feel sure I wouldn't have achieved so much success and varied experience in this industry.
Patricia King

Just to thank you for a first class afternoon. I really feel that I have a good quality demo, produced by professionals.
Gary Stevens.

From the first call made to Presenter Promotions, I received so much information, guidance, courses and special offers, I was very impressed with their honesty and professionalism.
Winsome Wilson

I would like to say to anyone thinking of doing a voice-over course: Its a hard working and thoroughly professional course, with friendly people who really do care. If you are going to a do a course, then this really is the one.
Liam Jung.

Each session is long; incorporating constructive criticism of your performance, from professionals with a well informed understanding of what the voice-over market really wants. the end product beat much of the broadcast material you'll hear on radio or television.
Natasha Tobin.

The course was excellent, very helpful and great fun. What I found particularly heartwarming was the fact, you are regular nice guys, not superficial, ruthless types I perhaps feared in this business. Yesterday gave a great surge of confidence and enthusiasm.
Rosey Bailey.

SOUND ADVICE
Firstly, remember to speak into the microphone. This may seem rather obvious, but you would be surprised at the number of people who have difficulties doing it! When reading from a script it is very easy to end up looking directly at the script and speaking over or across the microphone. This results in a thin sound that will do your finished recording no justice.

WHAT ARE PLOSIVES?
These occur when a high air pressure is suddenly released from behind the lips, when close to a microphone. For example, when a 'B' or 'P' is pronounced. This sudden burst of air pressure produces a transient that translates into a loud audio 'pop'. Although these can be reduced by the speaker, to remove/reduce them, a 'pop' shield is placed between the the speaker and the microphone.

THE PROXIMITY EFFECT
This manifests itself as an increase in low frequency response as the distance between the sound source and the microphone diaphragm decreases. Basically, the closer you are to the microphone, the warmer you will sound. This can be used to good effect if the piece needs an intimate voice with tonal depth. A distance of 3-4 inches gives a good warm sound, whereas 6-7 inches will allow a more natural tone to be recorded.

DROPPING IN
This allows a portion of a script to be re-recorded over an existing section. For example, a four paragraph script has just been recorded. It is perfect, except for a small mistake in the last paragraph. By dropping-in at the end of the third paragraph, it is possible to re-record the last paragraph onto the end of the successful section. To allow drop-ins to be succesfull, it is important that you are in the same position, relative to the microphone, throughout the whole script - i.e. for both the initial read and the drop-in. It is therefore worth remembering the position that you were in between the various takes. This ensures that the tone of your recorded voice remains consistent throughout the script. Even slight position changes can upset the tonal effect of the recorded voice.

WRITING SCRIPTS
When writing scripts, the following should be noted:


1) Sentences should be short and punchy.

2) Paragraphs should be brief and easily understandable.

3) Vocabulary and grammar should be suited to speech and not be evaluated within a written context.
After the script has been written, it may be beneficial to highlight key words to enable you to recognise quickly where added emphasis is required.

READING A SCRIPT
When reading a script, the following should be noted:

1) Keep the delivery enthusiastic at all times.

2) Emphasise key words so that the listener does not need to concentrate too hard to enable the important information to be easily extracted.

3) Diction should be clear and accurate. Although regional accent is acceptable, sloppy diction is not.

4) Use inflection to guide the listener through the piece. An intonation rise at the end of a sentence tends to suggest a continuation of the current paragraph, whereas a drop usually signifies a paragraph end.

5) Allow your own personality to show through the script. Do not try to imitate another voice or personality.

6) Stay relaxed and in control of the script. Tenseness can raise the voice pitch to an unnatural high and can also upset the overall flow.

7) Remember the audience - whether its one person, or a crowd! Most voice work reqires an intimate 'one person' audience. So, try to picture an image of someone that you are broadcasting to, as this will help you focus your talents to the right area. 

8) Above all don't try to be a broadcaster! Being yourself is of the utmost importance.

Presenter Promotions Voice-over Sessions are friendly and intimate and are run on a one to one basis. We offer different sessions for different skill levels, but most important of all is that we never let anyone leave the studio with a demo that we wouldn’t be happy with ourselves. We firmly believe that your Demo represents us, as much as it does you! We have many satisfied clients and we hope that you will join them and get a Demo that truly represents your abilities and personality.

We have EXPERIENCED PROFESSIONAL TRAINERS & PERSONNEL



THE PRODUCTION TEAM

David Mitchell:
David is an Ex-BBC Producer, Ex-Teacher, Broadcast Journalist, Presenter and Voice trainer. He has produced Simon Mayo, Chris Choi, Jonathan Charles and Jeff Owen to name a few. He is a continuity announcer for ITV, and he has also worked for Granada Plus & BBC's Open University. He knows what is required of a voice artist as he is one himself. Some of his broadcasting credits to date include:-British Aerospace, SKY Sports, BFBS, amongst others.

Ian Skelly:
Ian is a former Senior Instructor for the BBC, he now provides the on-site training for BBC News at Television Centre and around the world. He also trains presenters, reporters and producers throughout the BBC’s network of regional and local television and radio services. Outside the BBC he is a voice and presentation trainer for ITN, Channel 4 News, GMTV and Bloomberg Television and has provided media training for the Law Society and some of its individual member companies. He also regularly trains media skills for the Law Department at the University of Nottingham, The Arts Council and Eurostar among others.

Colin Cobb:
Ex-Presenter, Voice Artist, Presenter Trainer and owner of Presenter Promotions. On hand to offer guidance, advice and moral support for the whole event. Many of Colin's trainees have gone on to bigger and better things.

Mick Morley:
Our resident engineer has lots of experience and many credits to his name, least of all his ability to supply great selection of biscuits throughout the duration of the session.

LISTEN TO A SMALL SAMPLE OF OUR WORK

(Simply click on a name below to hear a sample mp3)





We have SESSIONS to suit ALL demands and budgets!


Includes Engineer - Mick Morley

WHO WOULD ATTEND THIS SESSION
This session is aimed at Actors and Actresses who need an audio clip (MP3) or two for their Spotlight entry or for their agents website. You should have a good idea of what you want to record and bring along your own material to read. We will advise, edit your copy and produce your voice to reflect the best of your voice skills. This type of session lasts up to two hours.

DURING YOUR SESSION
On the day we will talk and help choose from your material, the best pieces for you to record. We will then record and produce your voice demo in the studio. Production and guidance will be offered during the recording session. The final recordings are mixed with any necessary music and effects.

THE RESULT
The finished clip or clips will reflect a good variety of your particular voice and presentation skills. You will then be supplied with a CD containing all your work and the chosed MP3 clip(s).

Cost: £90.00 (When booking on-line first read our Terms & Conditions)



Includes Engineer - Mick Morley & Voice Trainer - Colin Cobb

WHO WOULD ATTEND THIS COURSE
This session is aimed at beginners and individuals who have a good idea that voice work is for them, but need a demo that will be professional and reflect the best of their voice skills.

DURING YOUR SESSION
On the day we will talk and advise on demo contents, choosing scripts, script suitability and relaxation techniques. We will then record and produce your voice demo in the studio. Production and guidance will be offered during the recording session. The final recordings are mixed with any necessary music and effects.

THE RESULT
The finished demo will reflect a good variety of your particular voice and presentation skills. A final chat, which covers how to use your demo to promote yourself within the industry, completes your time with Presenter Promotions.

Cost: £150.00 (When booking on-line first read our Terms & Conditions)



Includes Engineer: Mick Morley, Voice Trainer: Colin Cobb & Producer: David Mitchell.

WHO WOULD ATTEND THIS COURSE
This session is aimed at individuals who would like to be directed by a professional producer, or maybe you have done some work, but need pointers and individual tuition.

DURING YOUR SESSION
Talk and advice on demo contents, choosing scripts, script suitability, relaxation techniques and sight reading technique. We will record your voice demo in the studio. Production advice and guidance will be offered during the recording session. The final recordings are mixed with any necessary music and effects.

THE RESULT
The finished demo will reflect a good variety of your particular voice and presentation skills. A final discussion, which covers how to use your demo to promote yourself within the industry and some direct suggestions completes your time with Presenter Promotions.

Cost: £255.00 (When booking on-line first read our Terms & Conditions)



Includes Engineer - Mick Morley & Voice Trainer - Colin Cobb

WHO WOULD ATTEND THIS COURSE
This session is aimed at beginners and individuals who have a good idea that they wish to work in Radio as a presenter, but need a demo that will be professional and reflect the best of their talents.

DURING YOUR SESSION
On the day we will talk and advise on your script material, help choose music and some adverts to include in your demo. We will then record and produce your demo in the studio. Production and guidance will be offered during the recording session. The final recordings are mixed down and music edits ensure a short and effective demo is produced.

THE RESULT
The finished demo will reflect your presentation and voice skills. With the demo tailored to the radio marketplace. A final chat, which covers how to use your demo to promote yourself within the radio industry, completes your time with Presenter Promotions.

Cost: £170.00 (When booking on-line first read our Terms & Conditions)



Includes Studio Engineer - Mick Morley, Voice Trainer - Colin Cobb and the
Producer who is a current ITV Network Continuity Announcer - David Mitchell.

WHO WOULD ATTEND THIS COURSE
This session is aimed at individuals who would like to work as a television continuity announcer (And now on BBC1).

DURING YOUR SESSION
Talk and advice on demo contents, choosing scripts, script suitability, relaxation techniques and sight reading technique. We will record your voice demo in the studio. Production advice and guidance will be offered during the recording session. The final recordings are mixed with any necessary music and effects.

THE RESULT
The finished demo will reflect a good variety of your particular voice and presentation skills. A final discussion, which covers how to use your demo to promote yourself within the industry and some direct suggestions completes your time with Presenter Promotions.

Cost: £255.00 (When booking on-line first read our Terms & Conditions)


"YOUR voice is OUR business"



A PROFESSIONAL DEMO reflecting your voice talents!

DO I HAVE TO BRING MY OWN SCRIPTS ?
Only for the "Spotlight Clips/MP3 Session", "Continuity Session" and the "Radio Presentation Session" check out the links at the bottom of this page or Talk to Presenter Promotions for a stronger outline as to what should be supplied for your individual needs. For both the intermediate and advanced sessions scripts are supplied, but if you have your own material then feel free to bring it along with you, we will work on it with you to make it broadcastable material. It will also make your demo much more individual.

CAN OTHER MATERIAL BE ADDED TO MY NEW VOICE DEMO?
Yes, bring it along with you. A CD or DAT tape or a good quality cassette can be copied onto your new Demo.

WHEN ARE SESSIONS HELD?
All sessions are one to one, there are NO group sessions. We can book studio time for you all year round. Let us know if you wish to attend a session and we will arrange a date to suit you!

WHERE WILL THE SESSIONS BE HELD?
The Soundworks Studio, with the latest digital technology in North London.

WHO HAS COMPLETED A SESSION AND WHAT DO THEY THINK ABOUT IT?
Many session participants, have written to us, demonstrating their feelings on our work. Some of these are reflected on our Testimonials Page. Please take the time to read these statements, as none of those printed were requested!

WHAT MAKES PRESENTER PROMOTIONS ANY BETTER FROM OTHER DEMO COMPANIES?
We pride ourselves in not letting you out of the studio door, until you have a voice demo that we would be happy with. This is because, we feel your Demo represents us - as much as it does you!

IF I WANT FURTHER COPIES OF MY DEMO, CAN I GET THEM FROM YOU?
Yes. You will get a master CD with each session, and extra copies can be obtained by visiting our duplication page on this site.

I THINK I NEED MORE HELP AND ADVICE BEFORE I BOOK A COURSE, WHAT SHOULD I DO?
Well, you could go straight to the telephone and call us, but first there's our FREE Advice page that contains some great words about working in a studio booth secondly, below you will find various downloadable PDFs that you can read and learn more about what will be expected of you, including some fun exercises to do.

HOW MUCH DO THE SESSIONS COST?

A Short Session for Spotlight or Agency Clips £90.00 (When booking on-line first read our Terms & Conditions)


A Standard Voice-over Session costs £150.00 (When booking on-line first read our Terms & Conditions)



An Advanced Voice-over Session costs £255.00 (When booking on-line first read our Terms & Conditions)



A Radio Presentation Demo Session costs £170.00 (When booking on-line first read our Terms & Conditions)



A TV Continuity Demo Session costs £255.00 (When booking on-line first read our Terms & Conditions)



IF YOU WANT TO BOOK A SESSION
If you don't want to pay online, then please download an application form below and once we have received your application, we will book the studio and make the producer available (Advanced session only) and then send you a confirmation letter with all the necessary information to get to the studio.

Download a Printable PDF of Voice Guidance when working in a voice booth


Download a Printable PDF of Advice for Radio Presentation Sessions


Download a Printable PDF of Advice for Continuity Sessions


Download a Printable PDF of Exercises & Relaxation Techniques


Download a PDF Booking Form


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